• Home
  • Culinary Stories
    • A Turkey Tale
    • Meat Garibaldi...
    • Club Sandwich
    • Pastrami
    • FISH
    • Cubano
    • Roast Beef
    • Moscow Mule
  • ART STORIES
    • Have a Seat
    • Clowns
    • Butts
    • Dogs
    • Food
    • Rivers
  • Shop
  • Beards
  • More
    • Home
    • Culinary Stories
      • A Turkey Tale
      • Meat Garibaldi...
      • Club Sandwich
      • Pastrami
      • FISH
      • Cubano
      • Roast Beef
      • Moscow Mule
    • ART STORIES
      • Have a Seat
      • Clowns
      • Butts
      • Dogs
      • Food
      • Rivers
    • Shop
    • Beards
  • Sign In
  • Create Account

  • My Account
  • Signed in as:

  • filler@godaddy.com


  • My Account
  • Sign out

Signed in as:

filler@godaddy.com

  • Home
  • Culinary Stories
    • A Turkey Tale
    • Meat Garibaldi...
    • Club Sandwich
    • Pastrami
    • FISH
    • Cubano
    • Roast Beef
    • Moscow Mule
  • ART STORIES
    • Have a Seat
    • Clowns
    • Butts
    • Dogs
    • Food
    • Rivers
  • Shop
  • Beards

Account


  • My Account
  • Sign out


  • Sign In
  • My Account

Food on the Table

Eat with your Eyes

Capturing  the realistic appearance of various food items, including luscious  fruits, gleaming fish, and sumptuous cheese, poses an engaging and  multifaceted technical endeavor for an artist to master.

velvety peaches

Edouard Manet, The Brioche, 1870, Oil on canvas, MMA 1991.287

Reportedly,  Manet regarded still life as the ultimate test for a painter's skill.  Between 1862 and 1870, he undertook the creation of several grandiose tabletop scenes featuring fish and fruit, with this one being the final  and most intricate. The inspiration for this piece came from the  Louvre's acquisition of a painting depicting a brioche by Jean Siméon Chardin, an esteemed eighteenth-century French master of still life. 

Photograph of artist Édouard Manet, enlargement by Paul Nadar of his father's original.

Drawing from Chardin's approach, Manet arranged various  sensory-stimulating elements around the buttery bread—a striking white napkin, velvety peaches, lustrous plums, a polished knife, a vivid red  box—and, adhering to tradition, adorned the brioche with a fragrant  flower.

picnic basket

Luis Meléndez , The Afternoon Meal, 1772, Oil on canvas MMA 1982.60.39

Meléndez's still life stands out for its exceptional format and composition. It deviates from his usual style of stark backgrounds by featuring a lush landscape as its setting, which is quite unusual for him. The painting bears resemblance to a series of four works created for the Nuevo Cabinete de Historia Natural of the Prince of Asturias, now housed in the Museo del Prado, Madrid. It is highly probable that the Museum's  still life initially had a companion canvas of the same size, portraying  a landscape scene. The inclusion of a picnic basket justifies the title  "The Afternoon Meal" (in Spanish, La Merienda).

Self-portrait, oil on canvas, 1747, Musée du Louvre

Luis Egidio Meléndez (1716–1780) was a Spanish painter renowned for his exceptional still-life works. Despite receiving little recognition during his lifetime and dying in poverty, he is now celebrated as the foremost Spanish still-life artist of the 18th century. Meléndez's unparalleled skill in composition and lighting, combined with his extraordinary ability to depict the volume and texture of everyday objects, elevated humble kitchen items into striking, evocative masterpieces.

A series of still lives Luis by Egidio Meléndez

Still Life with Salmon, Lemon and three Vessels, oil on canvas, 1772 | Museo del Prado

Still Life with Ham and Eggs, 18th c.

Still Life with Oranges and Watermelon, c. 1760

Still Life with Tomatoes a Bowl of Aubergines and Onions, 1780

Still-Life with Oranges and Walnuts 1772, National Gallery

Pro Tip #1

When  it comes to fruits, the artist must deftly render their luster, from  the radiant shine of ripe apples and oranges to the soft glow of juicy  berries. The challenge lies in replicating the intricate textures and  subtle gradations of colors that make each fruit visually distinct and  mouthwatering.


Pro Tip #2

Incorporating fish into the still life introduces a new set of complexities. The  artist must skillfully portray the iridescent scales and shimmering skin  of the fish, capturing the play of light on their silvery surfaces to  convey a sense of freshness and oceanic allure. Attention to detail is  crucial, as even the subtlest changes in color and form can elevate the  realism of the fish and make them appear freshly caught and ready for  the table.

soft-bodied fish

William Merritt Chase, Still Life: Fish, 1908, Oil on canvas MMA 08.139.2

Chase's series of large-scale fish still-life paintings, created from 1904 onwards during his European teaching trips, exhibit his masterful brushwork and dark palette reminiscent of his early Munich period. Influenced by his contemporary, Antoine Vollon, and seventeenth-century Spanish still lifes appreciated by Vollon, Chase skillfully depicts fish on a tabletop, infusing seemingly ordinary subjects with captivating allure through his fine technique. Critics, like Leo Stein, praise Chase's ability to expressively portray the thick, soft-bodied fish, finding the artworks a visual delight that captivates viewers without sentimentality.

William Merritt Chase (1849-1916), American impressionist painter

In these fish still lifes, Chase's artistry shines, transforming mundane scenes into mesmerizing spectacles. The captivating interplay of bold brushwork, dark tones, and rich composition breathes life into the canvases, leaving observers charmed and enthralled by the expressiveness of the aquatic treasures on display.


Chase was a renowned American painter and teacher, celebrated for his Impressionist works and versatility in portraits, landscapes, and still lifes. A pivotal figure in American art education, he founded the Chase School of Art in 1896, which later became the Parsons School of Design. Chase's dedication to artistic exploration and his role in promoting Impressionism solidified his legacy as both an influential artist and educator.

A series of still lives Luis by Egidio Meléndez

 William Merritt Chase, Still Life, Fish, 1912, Oil on canvas | Brooklyn Museum 13.54

 William Merritt Chase, Still Life with Fish 1913, Oil paint on canvas| Denver Art Museum 1986.651 

William Merritt Chase, Cod, N/A, Oil on canvas | Akron Art Museum 1955.17

commonplace items

Antoine Vollon, Still Life with Cheese, 1870, Oil on canvas MMA 18.22.1

During his lifetime, Vollon was acclaimed as a successor to Chardin. This  particular artwork, likely created in the late 1870s, showcases his  exceptional technical prowess in portraying the surface, light, and texture of commonplace items. His still life paintings, with their  thematic choices, color palette, and bold execution, bear the marks of  Ribot's influence, as Ribot's own work was inspired by  seventeenth-century Spanish painting.

Pierre Petit, Portrait d'Antoine Vollon, 1858 Musee d'Orsay

Born in Lyon, France, to an ornamental craftsman, Vollon was a self-taught painter. He began his career as a metal engraver and studied printmaking under Jehan Georges Vibert at the École des Beaux-Arts in Lyon from 1850 to 1853. Later, he worked decorating enameled pans and stoves. Vollon married Marie-Fanny Boucher in 1860, and they had two children: Alexis and Marguerite.

Pro Tip #3

Cheese adds yet another layer of technical challenge. The artist must meticulously depict the varying textures of different types of cheese, from the crumbly nature of feta to the smoothness of brie or the aged rind of a robust cheddar. Achieving the visual richness of cheese involves precise brushwork and careful consideration of light and shadow, resulting in a mouthwatering portrayal that seems almost touchable.

Anti- immortality and vanity

Abraham van Beyeren, Still Life with Lobster and Fruit, early 1650s, Oil on wood MMA 1971.254

The  luminous textures of metalwork and glass mirror an abundance of ripe  fruits and a lobster in this captivating still life. Elaborate tables  like the one depicted, adorned with a rich assortment of food and exotic luxuries like the blue-and-white porcelain bowl from China, exemplify  the essence of Dutch still life during the latter part of the  seventeenth century. These artworks signify a departure from the previous themes of immortality and vanity found in earlier still lifes,  embracing wholeheartedly the earthly delights and pleasures of life.


Pro Tip #4

Painting  lobsters in the context of still life compositions engenders a  multifaceted set of challenges, demanding meticulous attention to  intricate texture, nuanced color variations, and the complexities of  lobster anatomy. The endeavor necessitates a fine-tuned interplay of  technical proficiency and astute observation. The pursuit of harmonious  coloration, the skillful rendition of highlights and shadows  accentuating the reflective exoskeleton, and the accurate portrayal of  the lobster's anatomical intricacies constitute critical aspects of the  artistic process.

abundance of the hunt

Jan Weenix, Gamepiece with a Dead Heron 1695, Oil on canvas MMA 50.55

Presumably intended for a townhouse, this decorative painting beautifully captures the abundance of the hunt on a country estate. A heron and various  other deceased birds spill out of a game bag, positioned beside a grand  neoclassical urn. These animal trophies seamlessly blend into the  elegant landscape, portraying a courtly atmosphere, while the excitement  of the hunt remains unseen. In the backdrop, aristocratic figures leisurely stroll near an ornamental pond, graced by gliding swans.


Pro Tip #5

The  inclusion of wild game in still life paintings adds a captivating and  dynamic element to the traditional genre. Artists skillfully portray  various game animals, such as birds, rabbits, and deer, often alongside  fruits, vegetables, and other culinary items. This artistic fusion of  nature's bounty with human-made objects evokes a sense of abundance,  while also symbolizing themes of sustenance, the cycle of life, and the  intricate relationship between humans and the natural world. The  presence of wild game in still lifes provides a glimpse into culinary  traditions, hunting practices, and societal values, making these  artworks both visually compelling and culturally significant.

advancements in cultivation

Severin Roesen , Still Life: Fruit, 1855, Oil on canvas MMA 63.99

In  this captivating display, effervescent Champagne and over a dozen  varieties of fresh fruit take center stage. The abundance of this  extravagant assortment is made possible by nineteenth-century  advancements in cultivation and shipping practices, which allowed for  the inclusion of exotic items like the tropical pineapple and heavily  seeded melons, hinting at the nation's future prosperity. Roesen, a  German immigrant, sought refuge from the upheavals of 1848 by seeking  opportunities in America. In the 1850s, he showcased his art in New  York, contributing eleven paintings to the American Art-Union's Free  Gallery exhibitions between 1848 and 1852. Eventually, in 1863, he  settled in Pennsylvania, where he garnered patrons from the lumber  industry, who cherished the perceived limitless resources of America.


Pro Tip #6

Balancing  all these diverse elements within the still life requires an acute  sense of composition. The artist must strategically place each food item  and accompanying object, such as glassware or utensils, to create a  harmonious arrangement that allows the viewer to appreciate the unique  qualities of each element. Achieving a sense of depth and dimension is  essential to make the fish, cheese, and fruits appear enticingly  three-dimensional and to draw the audience into the culinary scene.

The succulent ham

Philippe Rousseau, Still Life with Ham, 1870s, Oil on canvas MMA 1982.320

In  this artwork, Rousseau skillfully blends his reverence for  eighteenth-century still life paintings with a focus on present-day,  ordinary elements. These include a copy of the newspaper Le Figaro on  the left and a letter, addressed to the artist at his residence in  Acquigny, northern France, positioned at the center. The succulent ham  is tastefully adorned with a sprig of bay leaves. Paintings like this  brought Rousseau immense acclaim within fashionable circles, and it is  possible that the current piece was displayed at the Salon of 1877 under  the title "Le Déjeuner" (The Lunch).


Pro Tip #7

The  pursuit of realism in portraying these diverse food items calls for  continuous practice and experimentation. The artist's dedication to  refining their skills, learning from the subtleties of color and  texture, and exploring various artistic techniques all contribute to the  creation of food still lifes that are both technically impressive and  aesthetically gratifying. By overcoming these technical challenges, the  artist crafts still lifes that captivate viewers, inviting them to  relish the tantalizing beauty of fish, cheese, and fruits, and marvel at  the skillful rendition of this delectable culinary tableau.

  • Privacy Policy
  • Terms and Conditions
  • A Turkey Tale
  • Meat Garibaldi...
  • Club Sandwich
  • Pastrami
  • FISH
  • Cubano
  • Roast Beef
  • Moscow Mule
  • Have a Seat
  • Clowns
  • Butts
  • Dogs
  • Food
  • Rivers
  • Fathers Day

Sandwich and Art

Copyright © 2025 Sandwich and Art - All Rights Reserved.

Powered by

This website uses cookies.

We use cookies to analyze website traffic and optimize your website experience. By accepting our use of cookies, your data will be aggregated with all other user data.

DeclineAccept